Eliot’s long poem The Waste Land (1922), a seminal Modernist work, is the search for redemption and renewal in a sterile and spiritually empty landscape. The enormity of the war had undermined humankind’s faith in the foundations of Western society and culture, and postwar Modernist literature reflected a sense of disillusionment and fragmentation.
Although prewar works by Henry James, Joseph Conrad, and other writers are considered Modernist, Modernism as a literary movement is typically associated with the period after World War I. The Modernist impulse is fueled in various literatures by industrialization and urbanization and by the search for an authentic response to a much-changed world. New ideas in psychology, philosophy, and political theory kindled a search for new modes of expression. In an era characterized by industrialization, the nearly global adoption of capitalism, rapid social change, and advances in science and the social sciences (e.g., Freudian theory), Modernists felt a growing alienation incompatible with Victorian morality, optimism, and convention. Modernism fostered a period of experimentation in the arts from the late 19th to the mid-20th century, particularly in the years following World War I. Modernism, in the fine arts, a break with the past and the concurrent search for new forms of expression. There were discernible shifts in all the arts: writers turned to irony and self-awareness visual artists focused on the process rather than the finished product postmodern architects used decoration for the sake of decoration choreographers replaced conventional dance steps with simple movements, including rolling, walking, and skipping and composers jettisoned such traditional formal qualities as harmony, tempo, and melody. Scholars suggest that Modernism ended sometime after World War II, between the 1950s and 1960s.
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